The event "Music 'Joy' Guizhou - 2025 'International Drum Circle China Tour' Enters Colorful Guizhou", sponsored by the Guizhou Provincial Department of Culture and Tourism, has successfully concluded. The event gathered global drum circle artists, cultural and tourism influencers, and international friends, taking drums as a medium to launch in-depth cultural dialogues integrating "culture + tourism + music" and "intangible cultural heritage + drum circle".
From the wooden drum dance in Fanpai Miao Village of Taijiang, to the ancient wharf in Xiasi Ancient Town of Kaili; from the Twelve Tunes of the Buyi Bronze Drum in Zhenfeng, the Eight-Tone Sitting Singing (Ci Drum) in Bayin Hall of Xingyi, to the karst wonders in Wanfenglin; from the "sense of relaxation" in Qingyan Ancient Town to the charm of human-shaped stone pillars in Yelang Valley...Guizhou's drum music, landscapes, intangible cultural heritage, and cuisine have become bonds connecting the world. During the journey, the integration and resonance between Guizhou's intangible cultural heritage drum music and international drum circle art have become the most touching core experience.

In Anti-Pai Village, Wan Zhengwen, a national intangible cultural heritage inheritor, performed the Miao epic, and the international drum circle guide led the villagers to improvise an ensemble, and the drum music was excited.The activity contributed to important results: the anti-pai village was listed at the Qiandongnan Base of the DCFC Drum Circle Instructors Federation and the International DrumCircle Studio was established, injecting new impetus into the living inheritance of intangible cultural heritage and the integration of culture and tourism.

In the Bronze Drum Hall of XiangmenMountain, the low sound of the thousand - year-old copper drum and the "Twelve Tunes of the Copper Drum" containing the wisdom of the five elements of traditional Chinesemedicine are perfectly in line with the concept of "healing the heart with music" in the drum circle, which immerses the guests.The event innovatively launched the "Cultural Tourism Music Healing" model to accurately respond to the needs of modern travelers seeking spiritual relaxation.

The participants used the drum as a common language, releasing pressure in the rhythm of collaboration and regaining tranquility in the rhythm of intangible cultural heritage.

This is not only a cultural tourism practice, but also an international platform for cultural sharing and mutual learning, skillfully integrating traditional and modern, local and international elements.
In the drumming of the mountains and rivers of Guizhou, the"community of shared future for mankind" has turned into a real resonance beating in the drumbeat, which has effectively enhanced the international influence of Chinese culture.
John Fitzgerald
I've been involved with drum circles for over 25 years and worked for a company called Remo. My job was to support and advocate for the use of rhythm: we supported trainers, individual facilitators, and the whole purpose of that was to create opportunities for individuals to have direct experience of rhythm making. In every country, people are using rhythm to promote their well-being, and China in particular has seen huge growth in the last 10 years.
Today was amazing. We had an opportunity to meet a master drummer, Mr. Wan, who was preserving the precious drumming culture of the Miao people. We saw the drum and dance, and watched a performance. What struck me when we gathered with the village people is that this culture lives within them it is part of who they are. Today, when we brought out these unfamiliar but playful and easy-to-play instruments, they engaged in joyful interaction with one another and the facilitators. Over the two-hour period, we all played wonderful rhythmic activities together. I saw joy, engagement, little children and older adults playing side by side, dancing and singing. It was a wonderful event.
As a team visiting these villages, I was first excited because I am deeply interested in culture especially the "river of culture" that flows through a people is history. In China, that river is extraordinarily long, carrying with it everything from rhythm and music to calligraphy and art. I got a chance to step into that river and join its flow. In the village with the wooden drum, we witnessed masterful, beautiful performances. It was a beautiful day: people came in their traditional costumes, we distributed playful instruments, and for an hour or an hour and a half, we made music, played, danced, and sang together.
Then we moved to another village, Bouyei, with a totally different culture and a very different welcome. As we walked into the courtyard, people were playing music to greet us, receiving us with immense joy. Each person connected with one or more others in a playful way they even took the initiative to become facilitators, creating playful interactions with deep eye contact. Rhythm, I think, has the power to connect people on an emotional level.
I have to say I am honored to have been invited on this tour. It is been a unique experience, allowing me to learn a little about China, its culture, and its people. I am very grateful.
Kumi Masanaga

Zhou Yao

From the perspective of music therapy, first of all, (International Drum Circle) is not really a music therapy. However, from the perspective of promoting people's mental health, there is no doubt that it is very successful today. Because we see these villagers, who are actually very old, and through music, signs, eye contact, and our mutual feelings, they can feel what we want to do and cooperate. This cooperation exists not only between them and the instructor, but also in the interaction and cooperation among the villagers themselves. So this process is still very exciting.
Because the village secretary told me that he felt it was rare to see these people in the village show such smiles on their faces and be so engaged. Just now, several villagers who were much older than me held my hand and said thank you to me. I felt very warm at that time. Even the children in the village participated very actively, and they were like this throughout the entire participation. I believe it can promote their mental health, because at least we planted a "you're great" seed. I believe that for their hearts, it may be like a wealth or a seed that can slowly sprout into love.
Then our drum circle is very free and inclusive, and it's a very young and international form. So when traditional culture collides and combines with internationalization, youth, and liberalization, we can see the spark of collision. Tradition seems to have been revitalized here, which gives me a lot of inspiration. This inspiration comes from our Chinese culture, which is really broad and profound. We have national confidence and cultural confidence, which is really important.
This is a very amazing trip to Guizhou. On this journey, I have a great feeling. Guizhou has beautiful mountains, rivers, and people. The music is beautiful, the food is delicious, and the people are very simple. When we went to the village and did drum circle activities with everyone, the villagers often told us, "Thank you for coming to our house to play." They really took us into their homes, and many of them even the toothless old men and women, and grandmas would interact with us when they heard our music, dance with us, and join us. That smile is like a flower.
The power of traditional culture is so charming. We are connected through traditional culture, express our feelings through the drum circle, and united by the rhythm. It wasn't just a drum circle, but also a blend of love and a collision of hearts. I really like this journey. It will definitely become a memorable experience.









